Sunday, August 7, 2011

Bedaya A sacred dance of Surakarta

A sacred dance of Surakarta Palace Kasunanan Bedaya Pangkur dance was held outside the palace walls. Dance that was more than 200 years dipentas in its original form by the Japanese choreographer at Cultural Park Solo, Central Java. Do not think dance is full of energetic movement as well as modern and contemporary dance. Throughout the dance performances Bedaya Pangkur, Pakubuwono work with a slow IV. Like the dance that was created between the years 1787 to 1820 is a portrait of a romantic poem. Slow motion amid the accompaniment of a portrait pickaxe gising balance between passion and reason of man. Nine dancers are manevestasi in humans as controlling the passions.

Aesthetic value contained in fashion and cosmetology dance bedaya visually linked to the characters found on the dance bedaya. This means that edial bedaya dancers should be selected unless the prnilaian kepenariannya quality, and is still necessary requirements relating to the harmony and precision of a dancer wearing makeup lunkhead ageng and Paes Ageng. This is important because not all dancers are good and appropriate bedaya dancers can wear a dress and makeup dodot ageng Paes Ageng, because there is no requirement of physical conditions that can meet the requirements of the harmony in dress and makeup dodot ageng Paes Ageng. Terkandungdalam aesthetic value fashion and makeup styles of dance bedaya Yogyakarta has close links with the meaning contained in bedaya dance with all the elements contained in it. So if there are evolutionary changes in fashion and make-up dance bedaya it means something to do with the meaning contained in the dance.

Dance performances at the Theatre Arena Bedaya Pangkur Surakarta Cultural Park (TBS) was last staged in 1970. Ironically this is precisely the original dance work choreographed Japan, Michi Tomioka who do research on dance Bedaya Pangkur. "Dance is dance Bedaya Pangkur palace and danced by nine women in the palace and danced by girls" says Michi. According to Michigan, the advantages of this dance is the movement of nine dancers that look similar but not identical. Because each of the dancers perform in accordance with the interpretation of movement and rhythm, rather than dancing with the count as well as in modern dances. No wonder the movement of the dancers looked a little less neat but the compactness of the great dancers in this dance.

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